THE INCREDIBLE RHETT SMILEY: INFINITY’S MIRROR, by Matt Whiteside [2019]

47970885._SY475_

R. Tim Morris’ Rating: 7/10

A notable effort by this indie author, Matt Whiteside does a remarkable job at balancing this Contemporary story of a sorta-doofy/often unlucky job-less writer and the Fantasy-heavy fictional book within a book that the MC has written.

The Incredible Rhett Smiley is pretty funny. There are periods of action which are kind of meandering, but at least each chapter ends with an excerpt from Rhett’s novel (“Infinity’s Mirror”), so there’s always a palette cleanser of sorts before Rhett happy-accidents his way into yet another shenanigan.

The ending (no spoilers!) was a bit long for something which eventually felt like it lacked a “wow factor” but the journey is worth it for getting to read those moments that EVERY new author (post-Harry Potter) has ever hoped to experience.

A highly original work from a confident writer.

INFINITE BLUE, by Darren Groth & Simon Groth [2018]

38507234

R. Tim Morris’ Rating: 6/10

A brotherly work of fiction! Infinite Blue was co-written by brothers Darren & Simon Groth. Not sure how the work was divided, or which part each brother wrote, but the end result is seamless; not feeling at all like there were multiple voices. Loved the magical realism bits in this book, and the subject of competitive swimming is something new to learn! I did feel the adult characters within the story were a little too cliché, but in a novel this length (which reads even shorter than the 180+ page count suggests) some stereotyping can be forgiven. Great book for high school libraries, and appropriate for most reading levels.

Love, Music, Madness by Tabitha Rhys [2018]

39705095.jpg

R. Tim Morris’ Rating: 6/10

I was given a copy of this debut novel by the author in exchange for an honest review. The book was published by the independent Soul Mate Publishing.
Love, Music Madness has a lot going on within its small, 200-page package. This is the story of Lawson “Law” Harper, a young, somewhat lost musician who seems to float from page to page; fortune and misfortune almost landing in his lap at random. He’s got a thing for the older Jessa Warlow, herself an ambitious musician, and a high school friend of Lawson’s older brother. The two pair up for some song writing and a bit of fooling around, before things go sour and Lawson takes advantage of an opportunity to move out west to LA. Here, Lawson gets into another relationship, takes some work as a sound engineer, and explores LA’s music scene. All until Jessa moves out west too, and they decide to put the past behind them and take their music more seriously, recording an album with their old songs. Things get worse before they better, but through it all, the novel still does have some degree of hope within.
The Cons:
-Throughout the story, the characters seem to all be playing parts; as though the story demands certain moments, reactions, and scenes, which does take a bit of the realism out of it. Lawson’s new girlfriend needs to be jealous of Jessa, so she flies off the handle intermittently, and with flimsy reasons.
-For a book all about music, I wish there was more detail on this collection of songs of Lawson and Jessa created. There are hints of some of the enigmatical tracks, with titles like Estrella, Ravens, Andromeda. And although Tabitha Rhys does an incredible job with explaining the details of making music, sadly there’s a lacking of the songs’ actual descriptions, which I would have really enjoyed. I imagine there could be an accompanying soundtrack with the novel, but even an idea like having lyric excerpts in the book would add a lot.
-It’s sometimes hard to get a handle on where the book is headed. With so many moments happening just to progess the characters’ journeys, the novel has that feeling of being a slice of life, rather than a definitive, linear story arc.
The Pros:
-Rhys’ descriptions of locations – whether its houses, apartments, clubs, restaurants, or beaches – is incredible. It really helps to put the reader exactly where the author is imagining, and it’s a tough skill to learn.
-There are plenty of nice, literary moments too; Rhys’ use of language when dealing with mood and metaphors is great. There’s one scene where the MC takes note of the night sky, comparing the blinking stars and shining planets above as a “celestial cabaret”. Fantastic.
Here are a few other excerpts that stood out to me:
“Hopes can be dangerous things. One minute they’re bobbing on the horizon like hundreds of brightly-colored zeppelins. The next, the sky is full of Hindenburgs, burning down to their metal skeletons and falling to the earth in flames.”
“Jessa drew her knees up and sat next to me in silence for a long time. The pipes gurgled and hissed above us. In the air, the sour tang of mildew mingled with the sweetness of fabric softener.”
“Bright marquee lights chased each other atop Hollywood’s tourist traps. The restless breeze, murmuring with the sounds of distant hubbub, was like the zephyrs stirred by roller coasters.”
“Charlie stepped out into the dim hallway, lit by the few fluorescent fixtures still in operation. The rest were merely mausoleums for Hollywood’s dearly departed moths.”
In all, Love, Music, Madness is an admirable debut by an author who’s got some wonderful tricks up her sleeve. Hoping there’s enough tricks left for future stories.

THE ANIMATORS, by Kayla Rae Whitaker [2017]

30090925

R. Tim Morris’ Rating: 7/10

There’s a few moments here that easily make The Animators a 5-Star book. Just brilliant, quiet, heart-breaking moments that Whitaker absolutely nails. But there are other moments where I felt my attention drifting, wishing I knew where this book was really going. It’s a slow start, and the placing of certain events feels unusual to me. But it all gets there eventually.
When things happen in this book, they happen quickly. A sudden turn this way, then giving us a while to explore it and feel it out, before another sudden turn takes us that way.
Having an animation background myself allowed for some extra bonus treats in my reading. I’ve been through the struggle of trying to stake my place in that world. I kind of wish we were privy to more of Sharon’s struggles at the top of the book; instead, we’re quickly celebrating Sharon’s and Mel’s success in the industry. But upon reaching the end of the novel, I think readers would have been better-rewarded with a slightly different approach at the beginning.
Sharon herself, at times, felt more like a passenger than a driver in her own book. She just kind of went along with the things that were happening around her rather than controlling the action herself. In the end, I don’t know if I ever really felt like I knew her as much as I wanted to.
Flaws aside, The Animators is an exceptional debut from an author who is not afraid to write a raw, imperfect, and often disappointing world.

UNDERMAJORDOMO MINOR, by Patrick deWitt [2015]

undermajordomo-minor-1

R. Tim Morris’ Rating: 7/10

If ever there was a novel that could be labelled “Irreverent” this would be it. Probably by a landslide. However, through all the flippancy, I’m not entirely sure what Undermajordomo Minor is trying to say. Something about love? Something about finding one’s place in the world? Something about wild, profane sausage parties? Maybe all of the above. Maybe none.
BUT! This twisted sort of fairy tale remains a fun romp. As is the case with Patrick DeWitt’s previous writing, the verbiage is delightful, but at times his use of language bothers me, with an almost a too-smart-for-his-own-good vibe. It’s a fine line, but I cheered more than I jeered, so let’s call it a literary victory.
If I was asked to compare DeWitt’s style, I might eventually say it’s not unlike Wes Anderson using an ink-dipped feather-pen. I’m a sucker for Anderson (like many), but I find he can hit sour notes with me from time to time, and DeWitt fits that description.
I’ll leave you with this wonderful quote from the pages of Undermajordomo Minor. Apply it to your own life:

“And what is [love] like? I’ve often wondered about it.”
“It is a glory and a torment.”
“Really? Would you not recommend it, then?”
“I would recommend it highly. Just to say it’s not for the faint of heart.”

The Underneath: Part 1

Endever Publishing Studios is a new publishing company with some bold and exciting new ideas for the industry. I’ll be posting more about them in the very near future.

For now though, I’ll share Part 1 of Endever’s new online serial, titled The Underneath.

Enjoy!

Endever Publishing Studios presents The Underneath Written by Coral Rivera and Andrew Toy

Source: The Underneath: Part 1

ARE YOU SEEING ME? by Darren Groth [2014]

Are You Seeing Me

R. Tim Morris’ Rating: 7/10

Fun book by local-by-way-of-Australia Author Darren Groth. I’ve had the pleasure of talking to Darren about my own writing so it was good to finally crack this one open.
Of the two main characters (twin siblings Justine and Perry) I found myself drawn to Justine more, which is unusual since Perry is arguably the more interesting character. It says a lot about Groth’s ability to write female protagonists. Are You Seeing Me? has heavy moments, lighter moments, in-between moments and moments of the absurd variety, and they all work well together. The many nods to handfuls of local sights and details, as well as a fair amount of hockey-talk were all appreciated from a personal standpoint.
I also feel this is an important book for school libraries, (dealing heavily with disability in the autism-spectrum) so if you have any pull at all, make sure they have a copy!

Tell Me Something I Don’t Know: The Falling (Chapter One.2)

Continued from HERE.

 “I don’t think I’m in love with Gene anymore,” Kate answered. Intuitively, both Jesse and Tommy reached their hands over and placed them on the tips of Kate’s fingers, which were still anchored to the tabletop. “I’d like to believe that I was in love at some point. But to be honest, I’m really not so sure now.” Her eyes darted back and forth between her two best friends. “I think I might have made a mistake.” Breaking her hand away from theirs, Kate slipped on her coat and wiped her eyes with one sleeve, just to make sure nothing incriminating had leaked out.

As much as I wanted to show early that Kate was never one to put up with anyone’s crap and that she was a strong female voice, I also wanted to show her vulnerable side, as slim a side as that is. There’s no way someone will want to cheer for Kate if she’s being a bitch right off the bat. It’s hard for her to admit she may have made a mistake, but it’s important for the story that she does.

The city itself breathes in with every tragedy: every obituary in the New York Times; every jackhammer upon its streets; every time a girl leaves a boy; every slight transgression that takes place within its invisible walls. And every time New Yorkers breathe a collective sigh of relief, every time they find peace in themselves, every time they find each other again, every time they bring new life into the world or enjoy a good book or put a fresh coat of paint on an old cracked wall, Manhattan exhales. The city breathes in. The city breathes out. Breathe in. Breathe out.

The city breathing was a device I added late in my first draft. I might add a “Breathe in” when something negative happens or is about to happen. Conversely, there might be a “Breathe out” alongside moments of relief and happiness. The above paragraph is the set up for this device so that later readers would quickly understand the use of the Ins and Outs. I like the idea that if our narrator is the city itself that there is also some minor omniscience there; a little bit future sight. It doesn’t feel as unnatural as if a character thought it, and it gives the readers a gentle guideline for the turns the story takes.

This brings us to the end of Chapter One. Soon I’ll begin chipping away at some of the ideas behind Chapter Two.